Farewell, High Sheriffs of Google — you brainless rat bastards.
Coiled Pleasures is now at WordPress, with a bounty of bazongas, brownies and buttondowns.
http://coiledpleasures.com/
Tuesday, February 24, 2015
Monday, February 23, 2015
Attack of the High Sheriffs
Joe Bob Briggs used to refer to the forces of darkness at the Dallas Times-Herald as the High Sheriffs, and while that paper is long gone, the impulse to be a high sheriff is stronger than ever.
Witness this announcement I just received from Google:
In the coming weeks, we'll no longer allow blogs that contain sexually explicit or graphic nude images or video. We'll still allow nudity presented in artistic, educational, documentary, or scientific contexts, or where there are other substantial benefits to the public from not taking action on the content.
The new policy will go into effect on the 23rd of March 2015. After this policy goes into effect, Google will restrict access to any blog identified as being in violation of our revised policy. No content will be deleted, but only blog authors and those with whom they have expressly shared the blog will be able to see the content we've made private.
Our records indicate that your account may be affected by this policy change. Please refrain from creating new content that would violate this policy. Also, we ask that you make any necessary changes to your existing blog to comply as soon as possible, so that you won't experience any interruptions in service.
Now, while it is true that I frequently post screen shots from films, and those screen shots often contain some degree of nekkidity, it is always presented in a highly artistic, educational, documentary, or scientific context — so much so I want to puke.
So some busybody years ago decided to flag "Coiled Pleasures," and now this.
Well, fuck'em. See that, Google? Piss off, you brainless rodents. I'll take this show elsewhere.
This is okay:
This is not:
Wednesday, February 18, 2015
Hi, I'm Fat Slob. How Do You Do?
So it's been snowy and cold and generally miserable this winter. Plus I am about 20 pounds overweight, so three-quarters of my stuff doesn't fit.
This does: a two button Brooks sack jacket, Lands End cotton sweater vest, J. Press red uni stripe oxford and tie, LL Bean lined Chinos, Hanna cap and Allen Edmonds Eagle River boots with a Vibram lug sole. And a J. Press lambswool scarf (which they are giving away at the moment, by the way).
Okay, that's it. Off to the gym! And then to see "50 Shades of Grey"! Gee whiz!
This does: a two button Brooks sack jacket, Lands End cotton sweater vest, J. Press red uni stripe oxford and tie, LL Bean lined Chinos, Hanna cap and Allen Edmonds Eagle River boots with a Vibram lug sole. And a J. Press lambswool scarf (which they are giving away at the moment, by the way).
Okay, that's it. Off to the gym! And then to see "50 Shades of Grey"! Gee whiz!
Sunday, February 15, 2015
Empty "Canyons"
Paul Schrader's "The Canyons" (written by Bret Easton Ellis) is a tedious piece of crap about bored decadent Hollywood people of marginal talent and interest.
A self-portrait, in other words.
It has some nekkidity, but some of it involved Lindsay Lohan, who really needs to get her act together.
It also has a real life Porn Star, James Deen. He talks too much.
As does everybody in this clunker.
You can't make an exploitation film, or even a daring, boundary-pushing flick, and bore the crap out of the audience.
A Fast-Forward Special -- to the dogpile scene, which is icky.
Zero coils. A complete waste of time.
Blah blah blah...
A self-portrait, in other words.
It has some nekkidity, but some of it involved Lindsay Lohan, who really needs to get her act together.
It also has a real life Porn Star, James Deen. He talks too much.
As does everybody in this clunker.
...blah blah blah blah...
You can't make an exploitation film, or even a daring, boundary-pushing flick, and bore the crap out of the audience.
A Fast-Forward Special -- to the dogpile scene, which is icky.
...blah blah blah blah oh let's get nekkid blah blah blah blah.
Zero coils. A complete waste of time.
Sunday, February 8, 2015
Dead Snow 2: Red vs. Dead — Now With Improved Glop-O-Rama
You won't believe how the Nazi zombies gassed up the tank.
Not content with the undoubted triumph of 2010's "Dead Snow," Tommy Wirkola has made a sequel. "Dead Snow 2: Red vs. Dead."
This title is a little misleading, because the "red" refers to some Red Army soldier-zombies who are just as dead as the Nazi zombies.
However, we are dealing with a generation that thinks the Berlin Wall was an album by some old guys called Pink Floyd. So we must make allowances.
If you recall, in the first flick Martin and his dopey friends went to cabin way the hell out in the woods in Norway and accidentally woke up Nazi commander Herzog and his zombie battalion.
In that one, everybody died, including Martin's girlfriend Sara, who is now called Hanna, but is still dead.
But what we didn't know is that Martin got away, but somehow wound up with Herzog's arm in his SUV.
So when the EMTs found him, they brought along the arm, and the kindly doctor reattached it — to Martin, who had cut his own arm off with a chain saw when he was bitten and infected.
Got that?
Well, this arm is capable of all sorts of stuff, including superhuman strength and resurrections.
Martin finds he can do all kinds of neat stuff with his Nazi zombie arm
Now, your Nazi zombies are complex creatures, and rarely do they have a simple agenda.
So Martin thinks they might be satisfied by getting their stupid treasure back, but he is sorely mistaken.
No, they have to finish their original mission, which was to destroy a little town called Tvnkj or something.
There is a whole lot of plot here, and to boil it down a bit, what we wind up with are four teams: the Nazi zombie team, led by Herzog; the Red Army team, led by some big tall zombie; Martin's team, which consists of Martin, the gay guy from the museum, and three nitwits from the US who call themselves The Zombie Squad; and the police, who are only there for comic relief.
Zombie Squad geek poses for photo with his first confirmed kill
The film is in English, which makes it slightly easier to be confused but lacks the Ingmar Bergman atmosphere that made the original so deep and profound.
However, it expands on the original's highly creative use of intestines. I have never seen an intestine used as a gasoline siphon before, and neither have you, I'll bet.
Wirkola breaks the Glop-O-Meter on this one. Heads, feet, guts, arms all roll. Explosions. Nifty hatchet work. Intestine as garrote, siphon, electrical wire. Necrophilia (implied). Pet zombie. Bad running joke about the language of seagulls. Norwegian cops with Irish accents. No nekkidity (automatic one-coil deduction). Very confusing.
Three coils.
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